Color negative film has increasingly become a larger part of my workflow over the last several years and with good reason: the flexibility of the stuff is just phenomenal. It can be used to capture all the delicate subtleties of a low contrast scene as well as landscape scenes with intense dynamic range. If you don’t know what you will be getting into when you head out for a shoot it’s an excellent choice because it can handle anything you throw at it, but that doesn’t mean it can’t be used for a specific purpose or aesthetic either. Color negatives are the film type that I get the most questions about, mostly because people see such a wide variety of looks coming out of the same film types…
Read morePushing the Dynamic Range of Color Negative Film
“Sunflower Sunset” - Backlit scenes are no trouble with color negative film. A filter was left off for this image to avoid flare troubles with the sun. The foreground (also the important part) was average metered and the sky ignored when taking the meter reading. Ektar 100 4x5, 210mm lens, 2 seconds at f45, no filters.